Showing posts with label Milt Jackson. Show all posts
Showing posts with label Milt Jackson. Show all posts

Friday, March 4, 2016

London Flat, London Sharp: Best of American Jazz Recorded in London

(A detail of ) London Jazz Festival poster, designed by Damien Frost

There are hundreds of live and studio recordings made by visiting or resident American jazz musicians in London. This list, a new installment in the series I started with Paris and jazz, picks those London albums that I've liked most. 

Since 1939, when Fats Waller paid a visit and composed a suite celebrating London's neighborhoods and monuments, most of the jazz greats have appeared in and around the city. The crippling union regulations stopped many musicians from performing in the clubs until the 1960s, and the life expenses and poor weather drove many of them towards the Continent for permanent or semi-permanent stays. Yet, thought the past century, London with its passionate jazz buffs and a good deal of jazz literature remained an unmissable temporary stop for the musicians, as well as musical ideas, travelling from the United States to Europe.

The 15 albums below, obviously emphasising a certain attitude or taste which might not be everybody's, are some personal favourites from the most vital decades of jazz in Britain. Be sure, there are still hundred or more to name. (While picking your favourite albums be aware that there are famous records - Basie in London, for one - which were never recorded in London!)

Here is the list of 15 favourite jazz albums recorded by visiting Americans in London:


details as above

Friday, August 29, 2014

Charlie Parker at the Royal Roost, 1949


The Royal Roost was a jazz club located at 1580 Broadway in New York City. Opened in the Spring of 1948, it was designed to stage the more experimental jazz trends of the day. Thus, the cream of "experimental jazz musicians" in town became the club regulars, among which Charlie Parker had the most remembered (and recorded) residency throughout 1948 and 1949.

Paul Bacon describes the atmosphere of the club as something of "tremendous vitality and urgency." He portrays one typical night at the Roost as following: 
"The air inside is full of crackling expectancy, chaos... Some few tables in front of the stand are empty, awaiting the important hipster crows - theater, sports, radio people - who will fill those chairs in a late-arriving flurry. Much craning of necks, more greetings. Somebody - Max Roach, in fact - come out, leans over from the bandstand and has an animated conversation with an important-looking bearded man. Looking around, one's first impressions are reinforced; this is the center of the world!"
Many live recordings from the legendary Roost performances have surfaced ever since. This collection, found on the Internet Archive, presents some of them, featuring my favorite Roost line-up of Bird with Al Haig (on piano) and Max Roach (drums).



Sunday, January 1, 2012

Radio Hawkins#20: Happy New Year!

راديو هاوكينز: جاز براي ايران
اپيزود بيستم
با آثاري از
ميلت باكنر، بادي تِيت، ژرژ آروانيتا، فيل وودز، احمد جمال، استن گتز، سيدار والتن، كليفورد جردن، بينگ كرازبي و لويي آرمسترانگ، ميلت جكسن و لاكي تامسن

اينجا بشنويد
       
         Download mp3 


Wednesday, December 14, 2011

Dizzy Gillespie's Bebop Reunion


Dizzy Gillespie's Bebop Reunion
Chicago, IL @ PBS Soundstage 1976 
Dizzy Gillespie - trumpet
James Moody - sax
Milt Jackson - vibes
Al Haig - piano
Ray Brown - bass
Kenny Clarke - drums

Original broadcast is 58 minute long, with singers Joseph Carroll and Sarah Vaughan.

Saturday, October 15, 2011

Radio Hawkins#9: Blues for Jafar

عكس از رضا حكيمي


برنامۀ نهمِ راديو هاوكينز
شامل آثاري از
ساني بوي ويليامسن، سيدار والتن، كانت بيسي، كني بارون، مدرن جز كوارتت



برنامه را با كيفيت متوسط و متناسب با سرعت اينترنت ايران در اين جا بشنويد

برنامه را با كيفيت متوسط در اين جا دانلود كنيد

صفحه اين برنامه در فيس بوك منتظر نظرات شماست

Tuesday, November 10, 2009

Bags & Trane (Milt Jackson & John Coltrane, 1959)




Vibraphonist Milt Jackson and tenor saxophonist John Coltrane join together on this 1959 studio session for Atlantic. The perfect rhythm section consists of pianist Hank Jones, bassist Paul Chambers, and drummer Connie Kay. Tunes include two of Jackson's originals ("The Late Late Blues" and "Bags & Trane") and three standards: a romping "Three Little Words," "The Night We Called It a Day," and "Be-Bop." The new CD has two more bonus tracks from the session.




میلت جکسون نوازنده ویبرافون با جان کولترین نوازنده ساکسفون تنور در ضبطی از 1959 برای کمپانی آتلانتیک. یکی از بهترین آلبوم های کولترین قبل از دورۀ آوانگارد و اسپریچوال او. بخش ریتم عبارت است از: هنک جونز (پیانو)، پل چیمبرز (بس) و کانی کی (درامز). [لینک در کامنت]