Showing posts with label Marian McPartland. Show all posts
Showing posts with label Marian McPartland. Show all posts

Friday, December 5, 2014

Cecil Taylor - The Poetry of Sound

Cecil Taylor illustration by Naiel Ibarrola
I've always been fascinated by the idea of how Body and one's physique can play a major role in creating art. The movement of Jackson Pollack's body, his sway, and an almost choreographed movement over canvas had a direct impact on the finished work. In John Cassavetes films, too, there is always a great deal of physical tension: running, escaping, fighting, strolling and colliding. In these films, being scarred by any extreme emotion, such as love, is manifested in being hurt, falling down and standing up again. I find the same qualities in the music of Cecil Taylor that to me is the perfect marriage of painting and cinema, of a two-dimensional representation of an actual idea sent into a three-dimensional space. Once even I screened Marcel L'Herbier's L'Inhumaine while playing Taylor's music on the images. The result was stunning. Taylor is like an iris shot in a silent film, starting from one single note and from there opening in all directions. The result is something like a dome of sound.

This 1986 audio file that I've shared here features Cecil Taylor in conversation with Marian McPartland on her famous jazz piano show, where Taylor explains some of the ideas behind his music. Two pianists are sitting side by side in the studio, having conversations about a wide range of subjects and playing some wonderful music.

Saturday, August 24, 2013

Oh Lady Was Good: 6 Favorite Marian McPartland Piano Interviews


Marian McPartland, the first English lady of jazz piano from Windsor, died earlier this week at 95.

In the 1970s she hosted a show for NPR called Piano Jazz for which she interviewed and played along many musicians (mostly pianists, but not always' dominantly jazz, but also some notable pop instrumentalists). The format of the programme was an hour-long chat and piano playing, whether as solo or duet, and reminiscing about the musical life of each interviewee. Needless to say, thanks to a Marian's long and fruitful career in the States, many of the subjects had prior professional encounters with her. So she knew what she was talking about.

Here is my six favorite moments from those shows.