Showing posts with label Cecil Taylor. Show all posts
Showing posts with label Cecil Taylor. Show all posts

Friday, May 23, 2025

Cecil Taylor in Paris (1968)

The brand-new restoration of Cecil Taylor à Paris, courtesy of INA, will be premiered at the 2025 edition of Il Cinema Ritrovato. – EK


“He doesn’t come from my community,” replies avant-garde jazz pianist Cecil Taylor, hidden deep behind dark glasses, when asked by the interviewer about Stockhausen. The same response follows for questions about Bach and John Cage. In a style characteristic of 1968, the African-American musician, filmed for Cecil Taylor à Paris in an old French palace with oversized chimneys, dismisses European traditions in favour of “across the track” culture – the lived experiences of African-Americans.

Friday, December 5, 2014

Cecil Taylor - The Poetry of Sound

Cecil Taylor illustration by Naiel Ibarrola
I've always been fascinated by the idea of how Body and one's physique can play a major role in creating art. The movement of Jackson Pollack's body, his sway, and an almost choreographed movement over canvas had a direct impact on the finished work. In John Cassavetes films, too, there is always a great deal of physical tension: running, escaping, fighting, strolling and colliding. In these films, being scarred by any extreme emotion, such as love, is manifested in being hurt, falling down and standing up again. I find the same qualities in the music of Cecil Taylor that to me is the perfect marriage of painting and cinema, of a two-dimensional representation of an actual idea sent into a three-dimensional space. Once even I screened Marcel L'Herbier's L'Inhumaine while playing Taylor's music on the images. The result was stunning. Taylor is like an iris shot in a silent film, starting from one single note and from there opening in all directions. The result is something like a dome of sound.

This 1986 audio file that I've shared here features Cecil Taylor in conversation with Marian McPartland on her famous jazz piano show, where Taylor explains some of the ideas behind his music. Two pianists are sitting side by side in the studio, having conversations about a wide range of subjects and playing some wonderful music.