Showing posts with label Bunky Green. Show all posts
Showing posts with label Bunky Green. Show all posts

Sunday, November 27, 2011

Radio Hawkins#15


 برنامه پانزدهم راديو جاز براي ايران
تقديم به جيمي راشينگ

مضامين اين برنامه
من و تويي كه قرار بود باشيم، شِكوِه، آخر شب و شايد خيلي دير، دوستت دارم و همينه كه هست، چند آمريكايي در پاريس، آذرماه در خراسان، خسته ام اما حتي خسته ام از تو سرخوش تر است، سمينار موزيسين ها، عاشقانه ها به روايت سويينگ چي ها، جاز ساخته شده براي و به وسيلۀ مردم، خانه


با آثاري از
جيمي راشينگ
آرت بليكي، زوت سيمز، فوبي اسنو، بابي تيمونز، دكستر گوردون، باد پاول، لي مورگن، بانكي گرين، و بسياري غول هاي ديگر

اپيزود پانزدهم

دانلود با كيفيت بالا (1) يا (2) و با كيفيت متوسط و حجم پايين تر اين جا

Monday, October 5, 2009

Another Place (Bunky Green, 2006)




Bunky's last studio album up to this day which is recorded in New York City under the management of Steve Coleman and probably unable to find a distributor had been remained in shelf for two years. Now it has been released by an obscure French label, Label Bleu.

There are six tunes in this collection, four of them copmosed by Bunky himself. Line up consists of pianist Jason Moran, bassist Lonnie Plaxico and drummer Nasheet Waits.

It's a good example of how a great musician under any circumstances could produce such a warm and personal jazz statement while this music supposed to be dead or at her last breathes.

He cry out his love songs, the same way Jackie McLean did in his masterpieces like Let freedom rings. His alto doesn't want to beg or be charming like Paul Desmond. Despite the fact that Alto has a feminine sound Bunky and cats like McLean can produce a masculine sound from it.

"He has flawless control of the alto's upper registers and his own form of the blues cry: piercingly passionate, yet always integrated within exquisitely crafted solos that are teeming with ideas. He can play "inside" and "outside" when apt within a single tune, so if the McLean of Destination Out (Blue Note, 1963) resonates for you, so will Bunky Green." says Norman Weinstein [all about jazz] about this very well executed record.


Track listing:
It Could Happen to You; With All My Love; Another Place; Tune X; Be; Soul Eyes.

Personnel:
Bunky Green: alto saxophone; Jason Moran: piano; Lonnie Plaxico: bass; Nasheet Waits: drums.

آخرين آلبوم استوديويي استاد ساكسفون آلتو، بانكي گرين، كه در نيويورك و با حمايت هاي مالي استيو كولمن ضبط و در پاريس منتشر شده است. مانند آلبوم هاي ديگر گرين موسيقي بين اجراهايي پرشور و جكي مك لين وار (منتهي با صدايي بهتر از جكي) از بالادها (نغمه هاي عاشقانه) و قطعات اريژينال بانكي كه مي توان آن ها را نقاشي هاي اكسپرسيونيستي او با صوت ناميد نوسان دارند و مي تواند مدت هاي مديد در اتاقتان شنيده شود بدون اين كه ملال و تكرار از زيبايي مسلم آن چيزي كم كند.

توضيحات بيشتر در متن فرنگي بالا موجود است و لينك شنيدن آلبوم در بخش كامنت.

Monday, September 14, 2009

Introduction to the music of Bunky Green



Last week me and my friend had a seven days non-stop jazz-listening session. It started from Tehran and ended up at the shores of Caspian Sea. Among the great records that we were discovering - under the theme of "fast tempo" records! - we introduced to the music of an unknown - at least to us – master of alto saxophone, Bunky Green.

We were prisoned between a narrow line of Albourz Mountain and shores of Caspian Sea; rain was pouring now and then, and Bunky's sound, like seabirds, was really something to listen. While a couple of sticks was on I told to myself “look at the colors, the sheets Bunky Green is creating with his sound, the beauty, strangeness and sometimes anger of it.” Back home, I started to learn more about Green and here is the result of that magical week:

Sunday, September 13, 2009

The Record That Tore Us Apart: Places We've Never Been



Places we’ve never been (1979) by Bunky Green


According to allmusic this is “the strongest of Bunky Green's three Vanguard LPs of the mid 1970s”, but I never trust this Mr. Scott Yanow from Allmusic and I think he even doesn’t bother himself to listen to the records. Anyway here his tone is energetic and Intense and his songwriting, sophisticated.

The opening track is “East and West”, maybe the result of his trip to Algiers, a colorful encounter of cultures with deep understanding of the tempo of life in an eastern country. Rhythm section provide a texture like mid 1960s Coltrane quartet. But the outstanding contributor of this piece is Eddie Gomez with his counterpoint bass playing. While Bunky is so attached to the new landscapes of the song, his pianist Albert Daily with his alienation shows the strangeness of the scenery.

Tension

You'll hear one of the most beautiful modern pieces for Alto in “April Green”. Once again Gomez and his vigorous bass lines open the song. Here Bunky is like a bird in an open landscape. He emphasizes the pastoral aspect of song with the most delicate choruses possible. But despite the mood of outness and presence of nature (which is available in master of all altoists, Bird) he also has a urban intelligent and sophistication, most evident in clean phrasings of Randy Becker trumpet that remind me of Freddie Hubbard works with Herbie Hancock, a decade earlier. Bunky’s sound is seductiveness and sorrowful, a quality I’ve always liked about alto (think about Sonny Criss and Art Pepper in his latter days).

With “command module” album switches to a hard bop tune, and the only one in the album written with another musician, Roland Kubelik.

...and release

Side B of the LP opens with a piano introduction by Bunky himself; a tune called "Only in seasons". Then he switches to another mesmerizing alto part for the “places we've never been”. At first it looks like a ballad but suddenly goes beyond the limitations of playing a straight love song. He has a confessing side in every song and that’s the moving part.

Tension and release” is simply one of the greatest songs ever executed with alto. An absolute poetry, a combination of Bird and John Coltrane in the most thrilling way. Bunky, like Jackson Polack, creates abstract sceneries from the elemental materials of his medium. His work is consisting of pure emotions. He creates colorful sheets with his sound, the sheets you never get tired of looking at or listen to. Here one also feels the influence of Sonny Stitt, another master altoist that Bunky has worked with in the 1960s.
Set closes with “Little Girl, I'll miss you”. A strong ballad with so much power in tone that is much closer to tenor than alto.

--Ehsan Khoshbakht


Details:
Recorded in New York City, February 21st and 22nd, 1979
Label: Vanguard (free style series - VSD 79425)
Total time 41:32


Tracks:
1-EAST AND WEST (BUNKY GREEN)(8:30)
2-APRIL GREEN (BUNKY GREEN)(7:20)
3-COMMAND MODULE (BUNKY GREEN-RONALD KUBELIK)(5:57)
4-MEDLEY: a) ONLY IN SEASONS(BUNKY GREEN) b) PLACES WE’VE NEVER BEEN(BUNKY GREEN)(7:25)
5-TENSION AND RELEASE (BUNKY GREEN)(7:55)
6-LITTLE GIRL, I’LL MISS YOU (BUNKY GREEN)(4:03)




Musicians:
Bunky Green (Alto Saxophone and Piano)
Randy Brecker (tp, flh)
Albert Dailey (p)
Ronald Kubelik (p, track: 5)
Eddie Gomez (b)
Freddie Waits (d)

.

On Bunky Green


Bunky Green is a master alto player and also skilled in other Saxes, flute and clarinet. He has his own sound, but unfortunately most of his recordings have gone long out of print and his best works (like the record I'll discuss later) has never been released on CD.

Vernice (Jr.) "Bunky" Green was born in April 23, 1935 and raised in Milwaukee, Wisconsin, where he played the alto saxophone, mainly at a local club called "The Brass Rail." Bunky was a self-taught and heavily influenced by Charlie Parker, but he spent a period reassessing his style and studying, emerging with a much more distinctive sound.

On recommendation of Lou Donaldson worked with Charles Mingus in New York City and Los Angeles for a brief period in 1957. As a matter of fact he was a replacement for Jackie McLean in Mingus’ group. His brief stint with the eccentric bass player made a deep impression. Mingus' sparing use of notation and his belief that there was no such thing as a wrong note had a lasting influence on Green's own style.


In 1960 Green moved to Chicago where he played with Ira Sullivan, Nicky Hill, Andrew Hill, Red Saunders, Louis Bellson, Yusef Lateef, and finally Sonny Stitt.

He studied at Roosevelt University, 1963. At Notre Dame Jazz festival won a prize. Traveled to Algiers under U.S. government sponsorship in 1964. Led pit band at Gai Paris club, Chicago, 1965.

For the first time he went to studio with Paul Serrano Quintet in 1960 to play in an album called “Blues Holiday” (Riverside). His first record under his own name was “Step High”, recorded in Chicago with a bunch of top notch musicians including Donald Byrd (tp), Jimmy Heath (ts), Wynton Kelly (p), Larry Ridley (b) and Jimmy Cobb (d).



Since then he has recorded for Exodus (1960) and Argo (1964-1966), recorded several fine albums during the 1960s, including “Playing for Keeps”, and “Soul in the Night” (which paired Bunky with Sonny Stitt), but his best work was his mid to late 1970s recordings for Vanguard. He also recorded several albums with Elvin Jones, including “Summit Meeting” and “Time Capsule”. His 1989 session on the Delos label, “Healing the Pain”, commemorates the death of his parents and was awarded the coveted 5-star rating from Down Beat Magazine. Green's latest studio album, “Another Place” (which features the rhythm section of Jason Moran, Lonnie Plaxico, and Nasheet Waits), also received a 5-star review from Down Beat Magazine. More recently (in July 2008) his recording “The Salzau Quartet Live at Jazz Baltica” was released.


Bunky toured Europe with renegades including Steve Coleman, Craig Handy, Joe Lovano in summer of 1996.

Green gradually withdrew from the public eye to develop a career as a leading jazz educator. He is holder of master's degree from Northwestern University and a professor of Chicago state university from 1972 to 1979. In the 1990s took up the directorship of the jazz studies program at the University of North Florida in Jacksonville where he still teaches today. He has also served a term as the president of the International Association for Jazz Education and been elected to the Jazz Education Hall of Fame.

--Ehsan Khoshbakht

Bunky Green Discography











Step High
[also known as My Baby] (1960, Exodus/Fresh Sounds)
Testifyin' Time (1964, Argo/Cadet)
Playin' for Keeps (1965, Cadet)











The Latinization of Bunky Green (1967, Cadet)











Transformations
(1977, Vanguard)
Visions (1978, Vanguard)
Places We've Never Been (1979, Vanguard)
In Love Again (1987, Mark)
Healing the Pain (1989, Delos)
Another Place (2006, Label Bleu)
The Salzau Quartet Live at Jazz Baltica (2008, Traumton Records)

with Elvin Jones
:
Time Capsule
Summit Meeting 1976

With Clark Terry:
Having Fun

With Travis Shook:
Travis Shook

With Sonny Stitt:
Soul in the Night
Stitt Goes Green

With Eddie Harris:
Lost Album Plus the Better Half

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