Showing posts with label Cat Anderson. Show all posts
Showing posts with label Cat Anderson. Show all posts

Monday, April 11, 2016

Lionel Hampton Big Band in Nice, 1978

Lionel Hampton [photo source: MTV]
For years I've regretted losing my VHS tape of the complete Lionel Hampton birthday party concert at North Sea Jazz Festival in Hague, a big band event of highest caliber which introduced me to some the best instrumentalists in jazz, people such as Pepper Adams, Arnett Cobb (playing with crutches under his arms), and Harry Sweets Edison.

Now, thanks to Hoffmannjazz YouTube channel, I am able to see a filmed footage of the orchestra in Nice, France, playing M Squad Theme a week before they took the North Sea stage.

This is an absolutely stellar line-up with solos given to Ray Bryant, Joe Newman (A few choruses are off-mike), Kai Winding, Charles MacPherson, Pepper Adams, Cobb, Cat Anderson, and Billy Mackel.

Monday, July 28, 2014

Charles Mingus Quintet Meets Cat Anderson


In 1972, Charles Mingus undertook a European tour. It started in July, shortly after participating in Newport In New York Jazz Festival which put Mingus and Cat Anderson on the same stage together.

The Mingus Quintet for the first round of the European tour were Jon Faddis (tp) Charles McPherson (as) Bobby Jones (ts) John Foster (p) Charles Mingus (b) and Roy Brooks (d). They can be heard here, from a concert in the Netherlands.

The band in Nice, France, with guest star Dizzy Gillespie

After a series of concerts, which lasted until August, Jon Faddis and Charles McPherson left the band and Mingus had to form a new group for the second round of the European concerts, starting towards the end of the year in Germany, Poland and Spain. Gene Santoro (Myself when I am real: the life and music of Charles Mingus) reflects on Mingus's choices for his new quintet:

"He kept thinking about updating Harry Carney's baritone sound, the deep-toned Ellingtonian mix he'd always loved. A young baritone man recommended by Paul Jeffrey, Hamiet Bluiett, came down to the club and got the nod, along with trumpeter Joe Gardner. And Cat Anderson, Ellington's last high-note trumpeter, took a break from his intense schedule of studio work to hit the road. Bluiett doubled on clarinet, and could do the raucous, old-timey pieces Mingus always loved to play with loving parody, as living history tableaux. An avant-gardist with leanings toward blues and free form, Bluiett also felt the exuberant pull of traditional jazz from early New Orleans, like other free-jazz artists. Mingus was their avatar, overtly straddling jazz history from before Duke to after himself."