"I referred to him like a lot of the cats did, as 'Strays,'" says Clark Terry of Billy Strayhorn in his autobiography, Clark, which has a lot to say about Ellington years and the people of that tribe.
In a short chapter of the book, dedicated to "Strays," there is nothing but admiration and deep respect for the man and his music both as a composer/arranger and piano player. "Strays was like a breath of fresh air," says Mr Terry, "he had an almost spiritual touch in his writing. Deep undertones that would draw emotion and dig into the psyche." So true.
There are some stories in Clark about the relationship between Duke and Strays, whether artistically, emotionally ("he had a way of calming Duke") or even financially for which CT remembers:
"Strays was a man who lived the most unique life style of anybody. He had no bills: no hotel bills, no apartment bills, no food bills, no clothes or tax bills. No nothing. He didn't have a salary, either. He just signed a tab. Duke paid for everything."
In a short chapter of the book, dedicated to "Strays," there is nothing but admiration and deep respect for the man and his music both as a composer/arranger and piano player. "Strays was like a breath of fresh air," says Mr Terry, "he had an almost spiritual touch in his writing. Deep undertones that would draw emotion and dig into the psyche." So true.
There are some stories in Clark about the relationship between Duke and Strays, whether artistically, emotionally ("he had a way of calming Duke") or even financially for which CT remembers:
"Strays was a man who lived the most unique life style of anybody. He had no bills: no hotel bills, no apartment bills, no food bills, no clothes or tax bills. No nothing. He didn't have a salary, either. He just signed a tab. Duke paid for everything."
