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Beware of Mr. Baker is the title of a new documentary, and exceptionally a good one, about legendary drummer Ginger Baker which is going to be screened at this year's London Film Festival.
The programme booklet of the 56th London Film Festival insists in calling Baker "the world’s greatest drummer" which he obviously is not, as you will see in this accurate portrait of his musical (and geographical) journeys, ambitions and passions, how he is cut by Art Blakey in one of so many drum battles Baker set with the giants he praised. Even in the only scenes in the film that he is not bragging, or insulting people (including himself) he drops a few tears about his only "true friends" and "idols", Phil Seamen, Max Roach, Art Blakey and Elvin Jones. That's exactly the moment one begin to understand the reason for Mr. Baker's contempt for many of his ex-colleagues, among them, unjustly, Jack Bruce of the Cream. Baker talks about Time all the time. That's what he feels as what many rock musicians lack and why they cannot keep up with him and his complex rhythmic fireworks. He wants to be acknowledged in the idiom of jazz, and not became the context of his stardom, rock music.
Beware of Mr. Baker is the title of a new documentary, and exceptionally a good one, about legendary drummer Ginger Baker which is going to be screened at this year's London Film Festival.
The programme booklet of the 56th London Film Festival insists in calling Baker "the world’s greatest drummer" which he obviously is not, as you will see in this accurate portrait of his musical (and geographical) journeys, ambitions and passions, how he is cut by Art Blakey in one of so many drum battles Baker set with the giants he praised. Even in the only scenes in the film that he is not bragging, or insulting people (including himself) he drops a few tears about his only "true friends" and "idols", Phil Seamen, Max Roach, Art Blakey and Elvin Jones. That's exactly the moment one begin to understand the reason for Mr. Baker's contempt for many of his ex-colleagues, among them, unjustly, Jack Bruce of the Cream. Baker talks about Time all the time. That's what he feels as what many rock musicians lack and why they cannot keep up with him and his complex rhythmic fireworks. He wants to be acknowledged in the idiom of jazz, and not became the context of his stardom, rock music.