Take The "A" Train

Philip Larkin During the 1960s, the English poet Philip Larkin, who also wrote jazz criticism of high caliber for Daily Telegraph, part...

  برنامۀ هشتم سيدار والتُن برنامه‌اي از آثار والتُنِ پيانيستِ همراهي كنندۀ گروه ها و موزيسين هايي از 1959 تا 1979 شامل: اب...

Jonathan Rosenbaum [image courtesy of San Sebastián Film Festival] As a part of Jonathan Rosenbaum 's 70th birthday posts on my ...

Michiel de Ruyter Interviews John Coltrane on October 26, 1963 and July 27, 1965. Some segments, mostly Ruyter's comments, are in Du...

Michiel de Ruyter Interviews John Coltrane on November 19, 1961, and later, December 1, 1962. Parts of his comments and his introduction ...

I met Kevin McMahon , an Irish tenor saxophonist, last winter. His is capable of executing beautiful, and slow-talking phrases on his instr...

  اين هم از دومين بخش برنامۀ شبه راديويي ما دربارۀ موسيقي جاز. در اين قسمت قطعاتي از سيدني بشه، لويي آرمسترانگ، چارلي مينگوس، جان كو...

Nat Hentoff's Original Liner Notes: John Coltrane's Giant Steps, 1959 Along with Sonny Rollins, John Coltrane has become the mos...

The conception of Downbeat’s blindfold test was putting some records on in front of a jazz artist (without telling the interviewee which rec...

Vibraphonist Milt Jackson and tenor saxophonist John Coltrane join together on this 1959 studio session for Atlantic. The perfect rh...